Showing posts with label HOW Magazine. Show all posts
Showing posts with label HOW Magazine. Show all posts

DesignCasts and podcasts featuring Jeff Fisher

Designer Jeff Fisher, the Engineer of Creative Identity for Jeff Fisher LogoMotives, is often called upon to share his career experiences - and what others think he knows - through designcasts, webinars, podcasts, teleseminars and other online presentations:

Using Social Media to Boost Your Career - The Dos and The Don'ts, Jeff Fisher and Jean Branan of The Art Institute of California-San Diego's Career Services department, The Career Blueprint Podcast Series, a joint production of The Creative Group and The Art Institutes. (August 2010)

Talk Story Special Edition graphics by RDQLUS Creative

Talk Story with Jeni - HOW Design Conference Special Edition with Steve Gordon Jr., Jeff Fisher and Bryn Mooth, with Jeni Herberger - JeniHerberger.com Sponsored by Neenah Paper. (June 2010)

Using Social Media as a (Free!) Marketing Tool, HOW Magazine; HOW DesignCast (February 2010)

Talk Story with Jeni - and Jeff Fisher, with Jeni Herberger - JeniHerberger.com (February 2010)

How to Survive as a Freelance Designer, HOW Magazine; HOW DesignCast (November 2009) • Survival Resource List from DesignCast

Social Networking with Jeff Fisher, with Thomas James; Escape from Illustration Island (September 2009)

Social Networking with Jeff Fisher, with Thomas James; Illustration Mundo (September 2009)

Planning, Packaging & Promoting Yourself, HOW Magazine; HOW DesignCasts (August 2009)

Tooting Your Own Horn!, RGD Ontario; Design Business Teleseminar (July 2009)

Jeff Fisher Does the LOGO-MOTION, with Donovan Beery and Nate Voss; The Reflex Blue Show (May 2009)

Packaging Yourself, RGD Ontario; Design Business Teleseminar (March 2009)

Brands, Logos & Identity Crisis, with Scott Sheppard and Gene Gable; Inside Digital Design Radio (September 2008)

Creative Experts Audio Interviews: Jeff Fisher, with Doug Farrick; originally for The Designer's Inner Circle - now posted on creativepublic.com (December 2007)

Marketing Through Blogs and Forums, with Joel Welsh; StartupNation (November 2006)

© 2010 Jeff Fisher LogoMotives

A look back at the 2010 HOW Logo Design Awards

This year HOW Magazine sponsored the first HOW Logo Design Awards competition. I was honored to be asked to judge the magazine's first event of this kind.

Over 800 student and professional identity designs were submitted to the competition. It would be my responsibility to choose ten logos to be honored. Thankfully, the Editors and staff of HOW Magazine initially reviewed and selected about 350 logos for me to judge personally. The winning designs have been announced and posted on the HOW website.

Here's a bit of a recap, with my brief comments:

• Hayneedle (Design by: Lippincott - USA) - "Simplicity at its best—in type treatment and graphic elements."

• Thomas & Gray (Design by: 22squared - USA) - "Hitting the mark in creating a logo meant to convey 'distinction, tradition and timeless elegance.'”

• Dirty Ice Cream (Design by: Dirty Ice Cream Design - Phillipines) - "A beautifully executed, retro type treatment that beckons the viewer deeper into the design."

• Willoughby (Design by: Willoughby Design - USA) - "A major player in identity design shows how it's done—all while taking a chance on a non-traditional logo treatment to represent itself."

• New Sheridan Hotel (Design by: Urban Influence - USA) - "The history, culture and Western sophistication of Telluride, CO, are communicated in a crisp, modern presentation."

• Airplot (Design by: Airside - UK) - "This is a unique and intriguing, modular logo that allows for multiple uses and adaptations as needed."

• Lan Su Chinese Garden (Design by: Sockeye Creative - USA) - "This is an eye-catching, designerly twist on traditional Chinese imagery."

• Bronx Zoo Student Project (Design by: Carrie Madigan - USA) - "Inviting child-like imagery is in this logo, but there’s much more to be seen when taking a second look."

• Michael Bach Gastroenterologists (Design by: Josef Stapel Design - Germany) - "Never has the human digestive system been portrayed so elegantly—very clever letterform play."

• Renaud Merle (Blackbird) (Design by: Renaud Merle - France) - "A graphic smile delivered through two “r” letterforms creating a subliminal “m” with the extra treat of a fun blackbird image."

In addition, I wrote: "Over all, I was very pleased with the originality, execution and attention to detail exhibited in the hundreds of logos reviewed. Many designers submitted excellent showcase pieces that successfully conveyed their illustration talents, design skills and type treatment expertise.

"If I have any general criticisms, they are that a number identity designers need to break away from following current trends to create logos that may have greater longevity as an identifying symbol. And as entrants were given the opportunity, a short description or explanation of the logo submissions would have been very helpful as a judging tool for quite a few examples.

"Three of the final logos selected caught my eye on my very first review of all of the submissions. Narrowing the entries down to 100 logos was difficult; to 50 a real challenge; and to 20 was nearly impossible. I feel the 10 final logos selected represent the best of the best. After making my final selections, I was pleased to learn that five countries, large and small firms, and a student designer were represented.”

© 2010 Jeff Fisher LogoMotives

HOW/Print DesignCast - 'Using Social Media as a (Free!) Marketing Tool' - available for purchase

The recent HOW/Print DesignCast "'Using Social Media as a (Free!) Marketing Tool" is now available as a download for purchase from MyDesignShop. Presented by Jeff Fisher, the Engineer of Creative Identity for the Portland-based firm Jeff Fisher LogoMotives, the DesignCast was described in a bit more detail in a previous bLog-oMotives entry.

Fisher's books Identity Crisis!: 100 Redesigns That Transformed Stale Identities into Successful Brands and The Savvy Designer's Guide to Success (now a PDF on CD), previous DesignCasts, and selected past HOW Design Conference presentation audios are also available at MyDesignShop.

Special Offer: Purchase one HOW/Print DesignCast (archived or upcoming) valued at $69 or more and get one FREE! Use code HOWWB08A at checkout through midnight 02.28.10

© 2010 Jeff Fisher LogoMotives

Self-Promotion the Social Way

Designer Daniel McNutt recently posted on Twitter, “Jeff, you were social networking before it had its catchy name.”

And I realized that he’s right: I’ve been using social interaction tools for self-promotion for quite a long time. I found my way online more than a decade ago with my first website, newsgroups and forums such as the HOW Forum (forum.howdesign.com). I used those outlets to promote my firm and to share my design and business expertise. About five years later, I was dragged kicking and screaming into the then-new blogosphere. To my surprise, bLog-oMotives (my first attempt at blogging) proved to be a great outlet for communicating ideas and promoting my work. I created a separate blog to promote my book Identity Crisis! From there, I made over my fairly stagnant business website with a blogfolio format (as you’d guess, part blog and part portfolio of my work), which was more flexible for me and more search engine-friendly.

Social networking is the latest tool for online marketing, one that I’ve embraced, like many other creative pros. LinkedIn, Facebook, MySpace, Flickr, Naymz, Plaxo, Twitter, Squidoo and Ning — it almost sounds like the name of a law firm. Instead, by adding “.com” to each term, you’ll find just a few of the growing number of social networking sources available to spread your name, work and brand out into cyberspace.

And that’s precisely the point of using social networks as self-promotion tools: They can grow your universe of business prospects, draw traffic back to your website or blog and help you develop a broad reputation as an expert. “These sites all help get your name out there,” says Paul Kline, a photographer who runs a studio bearing his name in Washington, DC. “Websites, search engines and direct mail are all important, but social networking sites are more personal, and in some cases more effective.”

Getting Started in Social Media
Social networking success depends on initiating interaction, engaging an audience, sharing information, making the impersonal personal and inviting feedback. It also demands that you offer easy access to an already established web presence (either your website or blog). Your online audience will want additional information about you and your expertise before deciding to be your friend, follower or contact. Without that link, you lose credibility, and the perceived value of your tweets, posts and comments may lessen.

Nashville, TN-based children’s illustrator Holli Conger built that foundation first. “I’ve always had an online portfolio and website,” she says. “When I first started out, I participated on a lot of forums. I would usually read more than I commented or posted. Then I moved on to blogging, which opened me up to other illustrators who were more on my level career-wise.” Justin Ahrens, principal of Geneva, IL-based design firm Rule29, had a similar introductory experience to internet marketing. “Early on, we primarily utilized our website; it basically just showcased our work, contact information and news highlights.”

MySpace and Facebook
When I joined MySpace several years ago, the network was primarily populated by teens, but I saw its promotional promise and I did land a couple of projects. But I’ve found myself returning to MySpace less and less frequently as my business goals have outgrown the site’s audience and abilities. Frankly, it’s OK to move on if a social network isn’t serving your needs.

When I joined Facebook, my strategy was to create a personal profile with a business slant. Increasingly, though, Facebook is attracting “grown-up” users and has added new tools that enable a more professional presence on the network. I’ve set my Facebook profile up so that it automatically feeds my latest blog posts, and I contribute targeted, business-specific updates and post galleries of appropriate photos and graphic images. And I’ve created a page for Jeff Fisher LogoMotives that exclusively spotlights my business.

LinkedIn
LinkedIn was built from the ground up as a business networking tool; unfortunately, the site’s early iteration was clunky, difficult to navigate and, let’s face it, boring. Now, however, LinkedIn has perhaps taken cues from Facebook: It’s a friendlier environment for making professional contacts, with easier navigation. The addition of industry-specific groups and discussions created a venue of true social interaction. The groups also make it easier to find and connect with people of similar interests and experience.

Looking at who your contacts are connected to expands your exposure to potential clients, as Conger discovered. “LinkedIn led to a pretty lucrative design/illustration contract that feeds me work monthly,” she says. “I found the company through another contact and noticed in their profile that they were hiring in-house positions. I e-mailed to see if they’d be interested in working with me on a freelance basis. They said yes and they’ve been one of the best clients I’ve ever had.”

Twitter
My fear of a Twitter addiction kept me from participating early on; after just a month of tweeting, traffic to my blogfolio and blogs doubled. I’ve found Twitter to be an invaluable business resource. While casual Twitter users post their whereabouts and what they ate for breakfast, I opt for more professional tweets. I add links to blog posts or articles I think others may find interesting. I share design competition and book submission deadlines. I retweet, or re-post, messages I feel may be of interest to those following my posts. Occasionally I toss in a personal note or response to someone.

Using Social Media Strategically
In my involvement with these sites, I see a lot of designers, writers, illustrators and photographers networking only with other creative types. Selectively interacting with just your peers isn’t the best tactic for finding potential clients. So I encourage creative professionals to also seek out networking opportunities on sites frequented by business folks, like StartupNation.com or Biznik.com.

The social networking sites of traditional print media also provide great opportunities to rub cyber elbows with business professionals. Magazine websites such as FastCompany.com, Entrepreneur.com and Good Magazine provide a connection to the business community—including the ability to create online profiles, participate in discussions and post articles or blogs. Being active in these online conversations demonstrates your expertise to a new niche.

I’ve discovered that there’s little difference between my individual personality and that of my business. Conger advocates using caution in establishing the online attitude for your business, as well. “I think it’s important to show your personality, but I’ve chosen to have a more professional appearance on the internet as a whole,” she says. “Everything is searchable, and what you say could come back to haunt you.”

This blending of personal and professional worlds may be one hurdle keeping you from tapping social media as a professional tool. Another may be time. Just as you can be strategic about representing your brand online, you can be thoughtful about how you manage all these networks. You can repurpose content across media; a blog post might also appear in your newsletter and, in short form, on Twitter. Applications like Ping.fm can synchronize your blog with your social media accounts, so a new post is automatically broadcast to other outlets—a huge time-saver. And tools like TweetDeck let you monitor and post to Twitter and Facebook simultaneously.

When it comes to social networking, it’s possible to successfully mix business with pleasure. “Make time for social networking,” Ahrens concludes. “It’s a ton of fun—and more important, you never know whether or not a valuable new business connection is just around the corner.”

Note: This article, by Jeff Fisher - the Engineer of Creative Identity for the Portland-based design firm Jeff Fisher LogoMotives, was originally published in its entirety in the October 2009 HOW Magazine Self-Promotion issue.

"8 tips and tricks for professional and effective 'Self-Promotion the Social Way'" is the side-bar to that printed piece.

© 2009 Jeff Fisher LogoMotives and HOW Magazine

Toot! Toot!*: Designer/Author Jeff Fisher to judge first HOW Magazine Logo Design Awards

Jeff Fisher, the Engineer of Creative Identity for the Portland-based design firm Jeff Fisher LogoMotives, will be the judge for the new HOW Logo Design Awards competition. Sponsored by HOW Magazine, the leading creativity, business and technology magazine for graphic designers, the competition has a new submissions deadline of December 15, 2009.

All entries must have been produced between July 1, 2008 and December 1, 2009. There are no specific categories for designs to be submitted and work entered may have been created for real world clients, as student class assignments or just for fun. The fee for each entry is $30. Submissions are to be made online through the HOW Logo Design Awards website.

The 10 winners will be featured on the HOW website, get $150 worth of HOW books and receive a 1 year subscription to HOW magazine. In addition, a graphic will be provided for posting on websites, blogs and/or online portfolios announcing a winners' status.

Fisher, a 30+ year design industry veteran, is the author of The Savvy Designer's Guide to Success: Ideas and tactics for a killer career and Identity Crisis!: 50 redesigns that transformed stale identities into successful brands. He is currently writing the book LogoType, about typography in identity design, with a scheduled release of late 2010.

The designer has received over 600 design awards and his work has been published in more than 130 books on identity design, self-promotion and the marketing of small businesses. In recent years, Fisher has judged numerous competitions, including American Advertising & Design 25, the Logopond Awards, The Create Awards, and the Summit Creative Awards.

In January, Fisher was named one of design industry publication Graphic Design USA’sPeople to Watch in 2009.” In 2008, Jeff Fisher LogoMotives was recognized as one of the top 100 U.S. home-based businesses by the web presence StartupNation.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2009 Jeff Fisher LogoMotives

Resource links from HOW Magazine DesignCast 'How to Survive as a Freelance Designer'

Thanks to all who participated in my HOW Magazine live DesignCast "How to Survive as a Freelance Designer." During my hour-long presentation I mentioned a number of additional resources. As promised, I'm posting links to those sites, blog entries and books:

• Resource 1: Make use of online portfolios as promotion tool

• Resource 2: Network outside of design - Biznik; StartupNation

• Resource 3: HOW article on social networking for self-promo purposes

• Resource 4: Side-bar from HOW social networking article

• Resource 5: BoDo (Business of Design online)

• Resource 6: Design book submissions and competitions

• Resource 7: Example of a self-created marketing/media kit

• Resource 8: Examples of my "Toot! Toot!" press releases

• Resource 9: The Design Entrepreneur by Steven Heller

• Resource 10: Savvy Designer's Guide to Success by Jeff Fisher

• Resource 11: Designers Guide to Marketing & Pricing by Ilise Benun and Peleg Top

• Resource 12: Designer's Guide to Business & Careers by Peg Faimon

• Resource 13: Breaking Into Freelance Illustrations by Holly DeWolf

• Resource 14: Customizable contract/project agreement example

• Resource 15: Design entrepreneur - Von Glitschka

• Resource 16: Design entrepreneur - Patricia Zapata

• Resource 17: Design entrepreneur - Cameron Moll

• Resource 18: Associates programs such as Amazon - LogoMotives Design Depot Bookstore

• Resource 19: Using Twitter and Facebook Fan Page as a business tool.

• Resource 20: HOW Magazine Business Annual

• Resource 21: HOW Magazine Self-Promotion Issue

• Resource 22: Mentioned by HOW editor Bryn Mooth - FreelanceSwitch.com

My next HOW DesignCast, "Using Social Media as a (Free!) Marketing Tool," is scheduled for February 18, 2010. Watch for additional information at the HOW website.

© 2009 Jeff Fisher Logomotives

8 tips and tricks for professional and
effective 'Self-Promotion the Social Way'

My article about social networking as a business marketing tool, "Self-Promotion the Social Way, was just published in the October 2009 issue of How Magazine. The piece has also been posted on the HOW website.

In addition to the posted content, suggestions from myself and contributors Justin Ahrens of the Geneva, IL firm Rule29, Nashville, TN children's illustrator Holli Conger and photographer Paul Kline from Washington, DC were used to create a list of eight "tips and tricks" for a sidebar to the print version of the article.

Here are some recommendations from the featured creative professionals currently using social networking as a self-promotion vehicle:

1. Create a well-defined basic social networking profile and maintain that profile consistency throughout all social networking sites. Include keywords in your profile (like "designer" or "writer") that your network is likely to search, so that new contacts can easily find you.

2. Maintain similar consistency in the photo or graphic image you choose for your avatar (the small photo or graphic associated wiht your profile that represents you online) - in effect, branding your social networking presence.

3. Be generous in social networking site posts and updates, promoting and supporting the work of others - rather than exclusively marketing your own efforts.

4. Ask your clients what networks they participate in, and join those. Cross-reference your client and promotion lists on social networking sites like Facebook and Twitter to maximize your targeted promotional efforts. Invite people on your list to join you on FaceBook, to become a fan of your business and follow you on Twitter - and do the same in return.

5. Don't over commit. Social networking can be time-consuming. Set aside a window of time at the beginning and end of your day for social media, so you're not sucked into Twitter every time someone in your network tweets.

6. Keep things professional. Make sure you don't communicate anything you wouldn't want your clients, prospects or potential employers to read.

7. Provide easy-to-find links to your website and blog in your social media profile, so friends and followers may research and contact you with little effort.

8. Look for a network the fits your personality and industry, with a good mix of customers, vendors and competitors. Once you identify the network you want to create, start making contacts.

You may want to check out the social networking resources of those associated with the HOW Magazine article. The links are as follows:

HOW Magazine: Twitter - @HOWbrand; Facebook - HOW Magazine

Justin Ahrens/Rule 29: Twitter - @rule29; Facebook - Rule29

Holli Conger: Twitter - @HOLLiCONGER; Facebook - Holli Conger and HOLLi CONGER Studios

Paul Kline: Twitter - @Ad_Photographer

Jeff Fisher: Twitter - @LogoMotives; Facebook - Jeff Fisher and Jeff Fisher LogoMotives

© 2009 Jeff Fisher LogoMotives

Toot! Toot!*: Designer/author Jeff Fisher pens social networking article for HOW Magazine

The article "Self-Promotion the Social Way," by designer and author Jeff Fisher, has been published in the October issue of the design industry publication HOW magazine. Fisher, the Engineer of Creative Identity for the Portland-based firm Jeff Fisher LogoMotives, shares his experiences in using social networking and social media tools to market his graphic design, writing and speaking efforts. He, and several contributors, also offer advice to others in making use of social networking sites in creative promotion.

The identity designer uses Facebook, LinkedIn, Twitter and a variety of other online resources to give his home-based studio, books published and public appearances a worldwide presence. Adding their thoughts to the social networking piece were Justin Ahrens of the Geneva, IL firm Rule29, Nashville, TN children's illustrator Holli Conger and photographer Paul Kline from Washington, DC.

"Self-Promotion the Social Way" has been posted on the HOW Magazine website. HOW strives to serve the business, technological and creative needs of graphic-design professionals. The magazine provides a practical mix of essential business information, up-to-date technological tips, the creative whys and hows behind noteworthy projects, and profiles of professionals who are influencing design. Founded in 1985, the HOW brand now extends beyond the print magazine to annual events for design professionals, yearly design competitions, digital products and books. The magazine is published in Cincinnati by F&W Media.

Fisher, a 30+ year design industry veteran, is the author of Identity Crisis!: 50 redesigns that transformed stale identities into successful brands and The Savvy Designer's Guide to Success: Ideas and tactics for a killer career. He is currently writing the book LogoType, about typography in identity design, with a scheduled release of late 2010.

The designer has received over 600 design awards and his work has been published in more than 130 books on identity design, self-promotion and the marketing of small businesses. In January, Fisher was named one of design industry publication Graphic Design USA’sPeople to Watch in 2009.” In 2008, Jeff Fisher LogoMotives was recognized as one of the top 100 U.S. home-based businesses by the web presence StartupNation.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2009 Jeff Fisher LogoMotives

Toot! Toot!*:
HOW Magazine launches Logo Design Awards; identity designer/author Jeff Fisher to judge

HOW Magazine; the leading creativity, business and technology magazine for graphic designers; has launched the new HOW Logo Design Awards competition, with a submissions deadline of December 1, 2009. Jeff Fisher, the Engineer of Creative Identity for the Portland-based design firm Jeff Fisher LogoMotives, will be the judge for the competition.

All entries must have been produced between July 1, 2008 and December 1, 2009. There are no specific categories for designs to be submitted and work entered may have been created for real world clients, as student class assignments or just for fun. The fee for each entry is $30. Submissions are to be made online through the HOW Logo Design Awards website.

The 10 winners will be featured on the HOW website, get $150 worth of HOW books and receive a 1 year subscription to HOW magazine. In addition, a graphic will be provided for posting on websites, blogs and/or online portfolios announcing a winners' status.

Fisher, a 30+ year design industry veteran, is the author of The Savvy Designer's Guide to Success: Ideas and tactics for a killer career and Identity Crisis!: 50 redesigns that transformed stale identities into successful brands. He is currently writing the book LogoType, about typography in identity design, with a scheduled release of late 2010.

The designer has received over 600 design awards and his work has been published in more than 100 books on identity design, self-promotion and the marketing of small businesses. In recent years, Fisher has judged numerous competitions, including American Advertising & Design 25, the Logopond Awards, The Create Awards, and the Summit Creative Awards.

In January, Fisher was named one of design industry publication Graphic Design USA’sPeople to Watch in 2009.” In 2008, Jeff Fisher LogoMotives was recognized as one of the top 100 U.S. home-based businesses by the web presence StartupNation.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2009 Jeff Fisher LogoMotives

Toot! Toot!*: Fisher to present HOW webinar on
planning, packaging and promoting yourself

Jeff Fisher, the Engineer of Creative Identity for the Portland-based Jeff Fisher LogoMotives, will present the webinar "Planning, Packaging and Promoting Yourself" on August 13, 2009 at 4:00 p.m. ET/1:00 p.m. PT. The one-hour session is sponsored by HOW Magazine and the fee is $69. Those interested in participating may register on the HOW website.

Designers are always creating complete brand identities to help clients sell their products and services. But how well are these creatives selling themselves? According to author and designer Jeff Fisher, the key to attracting new clients and more work is planning, packaging and promoting oneself as a product.

Fisher will help participants determine what “product” should be in their package, then offer tips and advice for creating the appearance of the product, getting it on the right shelf in the market, explaining the product to potential customers, and getting those customers to buy that product again and again.

Jeff Fisher, author of Identity Crisis!: 50 redesigns that transformed stale identities into successful brands (HOW Books, 2007), is a 30-year design veteran. He has been honored with over 600 regional, national and international design awards and is featured in over 100 books about logos, the design business, and small business marketing. The industry publication Graphic Design USA named Fisher one of its "People to Watch in 2009." His first book, The Savvy Designer's Guide to Success was released in 2004 and has been reissued as a PDF on CD from HOWBookstore.com. Fisher is currently writing a new volume, with the working title of Logo•Type, on the topic of typography in identity design.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2009 Jeff Fisher LogoMotives

Toot! Toot!*: Jeff Fisher featured in HOW Magazine article about corporate culture adaptation

Jeff Fisher, the Engineer of Creative Identity for the Portland-based design firm Jeff Fisher LogoMotives, is featured in an article in the "Creative Talent" issue of HOW Magazine. The piece, "Office Anthropologist," written by Julie Sims, appears in the August 2009 issue of the publication.

Sims, the director of communications strategy for The Creative Group, interviewed Fisher, author of The Savvy Designer’s Guide to Success, and Lionel Carreon, a recruiter for San Francisco-based digital marketing firm AKQA. The experts provided tips and tactics for creatives adapting to corporate cultures following the acceptance of new employment opportunities.

HOW Magazine strives to serve the business, technological and creative needs of graphic-design professionals. The magazine provides a practical mix of essential business information, up-to-date technological tips, the creative whys and hows behind noteworthy projects, and profiles of professionals who are influencing design. Founded in 1985, the HOW brand now extends beyond the print magazine to annual events for design professionals, yearly design competitions, digital products and books. The magazine is published in Cincinnati by F&W Media.

Designer Jeff Fisher is the author of Identity Crisis: 50 Redesigns That Transformed Stale Identities into Successful Brands (HOW Books, 2007). He has received over 600 regional, national and international graphic design awards for his logo and corporate identity efforts and his work is featured in more than over 100 books on the design of logos, the business of graphic design, and small business marketing. His first HOW Books offering, The Savvy Designer’s Guide to Success, appeared on bookstore shelves in late 2004, and has been re-released in PDF format on CD. Fisher is currently writing a book about typography in identity design.

In January, Fisher was named one of design industry publication Graphic Design USA’sPeople to Watch in 2009.” In 2008, Jeff Fisher LogoMotives was recognized as one of the top 100 U.S. home-based businesses by the web presence StartupNation.

More information about Jeff Fisher, and his design and writing efforts, may be found on the Jeff Fisher LogoMotives blogfolio.

(* If I don’t "toot!" my own horn, no one else will.)

© 2009 Jeff Fisher LogoMotives

Resources from "Reaping the Rewards" at the
Creative Freelancer Conference in Chicago

As a speaker, I had a great time at the Creative Freelancer Conference. It was incredible sitting in on the presentations of the other presenters, meeting so many of the participants in person, having the opportunity to answer so many of your questions on a one-to-one basis, and getting to review some great design and photography work.

In the course of my presentation "Reaping the Rewards of Creative Independence," and my "Marketing Through Social Networking" roundtable, many Creative Freelancer Conference attendees requested additional information. I mentioned I would make links to those resources available.

Many people requested the handout I created for the social networking roundtable. That information is available in my blogfolio post "Marketing through social networks & social media."

I was also asked about the online portfolios I use to market my identity design work. That information may be found in the article "Marketing logo design efforts with online resources." The marketing packet I send out to potential clients is described in the entry "Prepare for any marketing or promotion opportunity with a customizable "media kit."

A few of you requested a copy of my project agreement - which includes the wording of the rights clause I include to ensure I can use all work for self-promotion purposes. The text of my contract is detailed in the piece "Signing on the dotted line…"

StartupNation and biznik were the two general business networking sites I discussed in my presentation. "Real world" networking events are a possibility in your local area as a result of biznik, if there are enough nearby members. The organization for creatives working for, or with, colleges is the University and College Designers Association.

About every 30-45 days I post an updated list of design industry competitions and book submission calls-for-entries on bLog-oMotives.

I did have questions about my personal Facebook presence and my Jeff Fisher LogoMotives Facebook Page. These are two different entities - and any Facebook member may have a personal profile and a business Page.

A review of previous blogfolio entries about the Creative Freelancer Conference will also provide information covered in my presentation.

Several people asked about any upcoming speaking engagements I may have on my schedule. On Monday, October 13, 2008, I will be making a presentation on self-promotion at the Create Chaos 2008 event in Orlando, FL. I will be conducting a day-long workshop on identity design on Thursday, October 16, 2008, at the School of Visual Concepts in Seattle, WA.

I hope that all attendees got a great deal of value out of the Creative Freelance Conference. I really appreciate all the feedback I have received in the form of emails, posts on forums and other sites, and in person from those participating in my roundtable and attending my session. Thanks also for the many positive comments about my books, blogs and forum postings.

I would like to thank my friends Ilise Benun and Peleg Top of Marketing Mentor, the entire staff of HOW Magazine, my new unimaginary friend Colleen Wainwright (aka "the communicatrix"), all the other speakers and the conference sponsors, for putting on a really great creative industry event.

© 2008 Jeff Fisher LogoMotives

Creative, battery-recharging, vacations
are a necessity - not a luxury

A large part of "Reaping the Rewards of Creative Independence" involves creating a well-defined balance in one's life. There does seem to be a tendency for independent creative professionals to work around the clock - especially when lots of work is coming in the door. As self-employed individuals, designers, writers, photographers and illustrators are not, for the most part, getting paid when not working. How does that situation allow for much needed vacations?

Vacations are not a luxury reserved for corporate cubicle inhibitors with great benefit packages. Annual holidays are a necessity for all workers. They are a time to share with loved ones and friends, reflect on past ups and downs in business, plan for the future of one's career, read a few good books, visit exotic locales and recharge one's "batteries."

Such escapes from the world of business do require advance planning - and occasional client hand-holding prior to the actual trip.

Nearly a decade ago, my partner, eight friends and I rented a 300-year-old villa in Italy for a month. The trip itself took a great deal of tactical scheduling. From a business perspective some financial planning was necessary to make everything happen without breaking the bank. A great deal of client "baby sitting" was required to prepare them for the fact I was going to be gone for just over 30 days. Project, marketing and advertising schedules needed to be coordinated around the dates of my adventure. For several months in advance it was necessary to remind my clients, on a weekly basis, of my impending departure. All of the early planning, and very agreeable clients, made the situation work out well. There were no major client emergencies or disasters. The world, and my design business, did not come to an end.

While abroad, I did make use of Internet cafes to check on emails that may not have been addressed by my simple automatic "out of office" reply. Very few required my immediate attention throughout the month-long vacation. Traveling with a gaggle of friends who owned businesses created a unique "business incubator" aspect to the trip. Being surrounded by the artistic, cultural and scenic beauty of Italy was the electric charge my creative juices needed to have a "jump start." My accountant even felt that a portion of my travel expenses qualified for consideration as legitimate "research and development" tax deductions. I returned to my design business refreshed and with a redirected sense of purpose.

With proof that being away from my home-studio for a month was possible, shorter trips (usually about two weeks) have become a regular occurrence at least twice a year over the past 10 years. There are most often opportunities each year to run away from home to a tropical locale, an overseas destination and several domestic getaway sites. Clients have learned I am not abandoning them. Projects are dealt with prior to my trips or scheduled around the dates. I do often inform clients that I will not be working on their projects a couple days prior to my leaving. With worldwide Internet access, crashing emergencies may be dealt with if necessary.

Of course, running my own business does also allow me to adjust the meeting of any business needs while on the road (or beach, or hammock, or pool lounge…). While residing in a Tuscan farmhouse last fall, I did allow myself daily early morning time to work cyberly on the promotion of my then soon-to-be released book, Identity Crisis! Each morning I would arise one to two hours earlier than my traveling partners and do the work I felt was required. I'd then prepare coffee as my partner and friends began to stumble downstairs. Our vacation time for the day would begin - without me being stressed about upcoming book promotion issues.

Just prior to leaving for the island of St. Croix this spring, I received a request for what appeared to be a fun identity project - with a fairly tight deadline. I explained to the potential client that I was leaving for two weeks. The organization representative responded that they really felt I was the designer to take on their project. I proposed accepting the contract to design the logo by putting in one or two hours of time each morning, prior to heading out to the pool with my pleasure reading book 'o the day. The client agreed, the effort worked out very well for all concerned, and I completely paid for my vacation by working while on vacation. This particular situation was another example of it being my business and I get to set the rules.

Most "independent creative professionals" take on that self-definition to embrace "creative independence." Still, some restrict themselves by using their business as an excuse for not enjoying their personal lives to the fullest by eliminating vacation travel as an option. Vacations are a must for any creative professional - and such trips can often be much less expensive than years of therapy!

This piece was originally posted on the Creative Freelancer Conference blog. Jeff Fisher, the Engineer of Creative Identity for Jeff Fisher LogoMotives, will make his presentation "Reaping the Rewards of Creative Independence" at the Creative Freelancer Conference, to be held August 27-29, 2008 in Chicago.

© 2008 Jeff Fisher LogoMotives

It's your business and you get set the rules

I'm amazed when I hear designers, and independent creatives, constantly complaining about the client who calls at all hours or sends emergency emails in the middle of the night. My immediate thought is: Why are you answering the business phone call, or responding to the midnight email missive, during personal time?

While there may no longer be real geographic boundaries to working independently, establishing a successful client relationship, and maintaining some degree of sanity, does require setting up parameters in regards to communications and time. Doing so may initially require some patience during the process of training your client.

Establish "office hours" for your business. The vast majority of businesses have set hours of operation. Why should yours be any different?

Early in my career, my office hours were 8:00 to 5:00; Monday through Friday. I certainly worked additional hours, but that didn't mean I had client contact before or after those times. In the summer I had "summer office hours" of Monday through Thursday; 8:00 to 5:00. I had no client contact on Fridays. It drove a few people crazy, but it's my business and I get to set the rules. Following Labor Day weekend I would revert back to the normal "office hours" and change my voice mail message to reflect that fact.

One year, after Labor Day, I went to change the message and suddenly realized that I didn't want to work (or at least have client contact on Fridays). My "summer office hours" have been my regular "office hours" for over a decade now. Again, it's my business and I get to set the rules.

A ringing phone doesn't require that you must answer it. That's why some brilliant person invented voice mail. My office hours determine when I will be answering my dedicated business line. If I'm busy with a project I may not answer the phone when it rings, but I will check my voice mail messages several times during the day and get back to the caller later. Caller ID, and dedicated rings for clients calling in, can also help keep business calls from infringing upon your personal life.

I don't have a cell phone. I had one for three months about 12 years ago and it drove me crazy. I hated being that connected. At that time, I'd run my business for about 18 years without a mobile phone and my business did just fine. Besides, I do love the look on a client's face when they ask for my cell number and I tell them I don't have one.

It's much the same with email. A client's perception that a 3:00 AM email is addressing an emergency situation doesn’t necessarily mean that it's a real emergency demanding immediate attention (as if you are actually sitting at your computer at such a time waiting for their email). I respond to client emails during my established office hours - and as timely as my schedule for that day allows.

Admittedly, there are exceptions to the "rules." An occasional true emergency may require an immediate response. I simply don't often find myself needing to respond to situations outside of my established hours of operation.

Being an independent creative does allow you to determine how you choose to establish the communication boundaries between clients and yourself. The limitations put in place may be very helpful in maintaining successful client relationships - and keeping any possible resentment of clients to a minimum. Remember; it's your business and you get set the rules.

This piece was originally posted on the Creative Freelancer Conference blog. Jeff Fisher, the Engineer of Creative Identity for Jeff Fisher LogoMotives, will make his presentation "Reaping the Rewards of Creative Independence" at the Creative Freelancer Conference, to be held August 27-29, 2008 in Chicago.

© 2008 Jeff Fisher LogoMotives

A life lesson in working to live

Do you "live to work" or "work to live?" It's a question that every independent creative needs to ask themselves.

Years ago, at the age of 35, I found myself being defined by my doctor as a "heart attack waiting to happen." I was working an average of 70 to 80 hours a week - sometimes much more with late nights and working on weekends. Work consumed my life. My personal life was almost non-existent.

I had allowed myself to become the "design department" for an advertising agency client that suddenly represented at least 80% of my business and income. When the principal of the firm said "jump," I leapt into the sky without questioning the command. I was doing some great work, but I wasn't sleeping, not eating well and my blood pressure was dangerously sky high. In fact, when my physician checked my blood pressure - three times - he thought his equipment was broken.

The doctor sat down and asked, "What the hell is going on in your life?"

I told him.

He responded that I needed to resign the major, all-consuming client immediately or I was going to have serious health issues, possibly a heart attack. I was stunned - and immediately my mind went to concerns about money.

It was frightening to request a meeting with the owner of the business to inform her I could no longer handle all of her design work. However, she understood completely and actually apologized for her business causing me undue stress.

I was a little freaked out about the loss of income due to resigning the account. Still, within a very short period of time, I had five new clients with a very manageable project load. The income situation balanced out; as did my blood pressure - which dropped 30-some points in a month without medication. My personal life showed great improvement as well.

The entire situation was a great life lesson. It helped me re-evaluate how I, as an independent creative, had been letting my work rule my life - instead of enjoying the life available to me as a result of being my own boss.

This piece was originally posted on the Creative Freelancer Conference blog. Jeff Fisher, the Engineer of Creative Identity for Jeff Fisher LogoMotives, will make his presentation "Reaping the Rewards of Creative Independence" at the Creative Freelancer Conference, to be held August 27-29, 2008 in Chicago.

© 2008 Jeff Fisher LogoMotives

Eliminating geographic boundaries to
your personal creative independence

Why do so many "creative types" create geographic boundaries for themselves when it comes to working independently? I'm constantly amazed by email, phone call and speaking engagement questions and comments from solo creatives related to what are perceived as the limitations of their local geographic markets.

Huh? I don't think I got the memo about the Federal government building walls around local communities to keep designers, writers, photographers and others trapped in their hometown environments.

Admittedly, when my initial Internet presence went live in 1998, my website was intended to primarily serve as a portfolio for a predominantly local clientele. I wasn't expecting email requests for information about my services from potential clients across the United States - and then from around the globe. Suddenly there were no restrictions to the target market for my business. In the decade since, 80-85% of my business has been for clients outside of the State of Oregon.

Most of that work has been accomplished cyberly. However, some has involved travel, and an even greater escape from the self-imposed boundaries of one's home studio or independent office. I enjoy travel and make the most of taking my portable "office" with me. Advancement in communication technology has resulted in added creative freedom. - whether working from a backyard garden or anywhere in the world.

So, set your mind - and body - free! Eliminate the geographic boundaries, or personal excuses, that may prevent you from true creative independence.

This piece was originally posted on the Creative Freelancer Conference blog. Jeff Fisher, the Engineer of Creative Identity for Jeff Fisher LogoMotives, will make his presentation "Reaping the Rewards of Creative Independence" at the Creative Freelancer Conference, to be held August 27-29, 2008 in Chicago.

© 2008 Jeff Fisher LogoMotives

Toot! Toot!*:
Fisher to speak at 2008 HOW Design Conference

Jeff Fisher, the Engineer of Creative Identity for the Portland design firm Jeff Fisher LogoMotives, will be a speaker at the 2008 HOW Design Conference to be held May 18-21 at the Hynes Convention Center in Boston, MA. This annual creativity, business and technology conference for graphic design professionals will feature nearly 50 speakers and wide variety of topical sessions and workshops.

Fisher's session, Planning, Packaging & Promoting Yourself as the Product, will take a look at the challenges faced by graphic designers in marketing their own services. On Tuesday, May 20, the designer/author will have a book signing in the How Conference Bookstore.

Attendees can choose from more than 50 sessions in a variety of tracks, including Creativity & Inspiration, Design Disciplines, Career Development and more. Optional events include pre-conference workshops, a networking lunch, Boston design studio tours and more. The Conference will also host a Design Resource Center with exhibits featuring paper, stock photography, computer hardware and software, and products from other industry vendors.

More than 3,000 graphic designers, art directors, creative directors and illustrators are expected to participate in this year's Conference. The 2008 HOW Design Conference is presented by HOW Magazine, the creativity, business and technology magazine for graphic designers. HOW is published by F+W Publications, Inc. in Cincinnati, OH.

For additional information, and to register, visit the HOW Conference website and the HOW Conference blog. (The semi-early bird deadline, for conference registration savings, is Friday, April 11.)

Jeff Fisher has received over 600 regional, national and international graphic design awards for his logo and corporate identity efforts. His work is featured in more than 100 publications on the design of logos, the business of graphic design, and small business marketing. In late 2007 HOW Books published his latest book, Identity Crisis: 50 Redesigns That Transformed Stale Identities into Successful Brands. Fisher's first book, The Savvy Designer's Guide to Success, was released by the publisher in 2004.

Fisher, is a member of the HOW Magazine Editorial Advisory Board and the HOW Design Conference Advisory Council.

*If I don't "toot" my own horn, no one else will.

© 2008 Jeff Fisher LogoMotives

Toot! Toot!:
HOW "Designer's Good Business Guide"
features Jeff Fisher start-up advice

Jeff Fisher, the Engineer of Creative Identity for the Portland-based design firm Jeff Fisher LogoMotives, is featured in an article in the "Designer's Good Business Guide" issue of HOW Magazine. The piece, "Start Smart," written by Esther D'Amico, appears in the December 2007 issue of the publication.

Fisher is one of nine industry experts giving advice to designers who may be considering quitting their day job and striking out on their own. Others cited in the article include Justin Ahrens of Rule 29, David C. Baker from ReCourses, Nicole Block of NicEvents, and Sayles Graphic Design's Sheree Clark. Cameron Foote from Creative Business, Keith Pizer of One Trick Pony, Christine Sullivan from The Creative Economy Association of the North Shore of Massachusetts, and Tortorella Design's Neil Tortorella also provide input.

HOW Magazine provides graphic-design professionals with essential business information, covers new technology and processes, profiles renowned and up-and-coming designers, details noteworthy projects, and provides creative inspiration. Fisher has been a member of the publication's Editorial Advisory Board since 2004.

Jeff Fisher has received nearly 575 regional, national and international graphic design awards for his logo and corporate identity efforts. His work is featured in nearly 100 books on the design of logos, the business of graphic design, and small business marketing.

Fisher is a member of the HOW Design Conference Advisory Council and the UCDA Designer Magazine Editorial Advisory Board. This past month, his book, Identity Crisis!: 50 Redesigns That Transformed Stale Identities Into Successful Brands, was released by HOW Books, an imprint of F+W Publications. His first book, The Savvy Designer’s Guide to Success, was released in late 2004.

(* If I don’t "toot!" my own horn, no one else will.)

© 2007 Jeff Fisher LogoMotives

2007 Articles about Jeff Fisher LogoMotives

Veteran Designer Embraces Identity Crisis and Casual Fridays, FreelanceSwitch.com, by Kristen Fischer (December 2007)

Start Smart, HOW Magazine, by Esther D'Amico (December 2007)

Identity Crisis is a rare book, PagePlane.com, by Chuck Green (November 2007)

Career: Plotting Your Course, HOW Magazine, by Julie Sims (August 2007)

The Engineer of Creative Identity

Jeff Fisher, the Engineer of Creative Identity for the one-person design shop Jeff Fisher LogoMotives, has been designing logos, creating corporate identity systems and branding organizations, businesses and products for nearly 30 years. Clients have included one-person entrepreneurial companies, education facilities, nonprofit organizations, government agencies, professional sports teams and major international corporations.

His award-winning design career began in 1980 after studies in the design of graphics, advertising, typography and publications through the University of Oregon School of Journalism. As Art Director for the Multnomah County Medical Society he shared in winning the prestigious Sandoz Award - medical journalism's highest national honor. This was followed by a stint as Art Director of a Portland ad agency. After a move to Seattle in 1985 he was Creative Director for an international clothing manufacturer; designing graphics for clothing, art directing photo shoots, producing national magazine ads and coordinating fashion shows for the company.

Many business ventures have invested the future of their companies in the identity work of Jeff Fisher LogoMotives. Clients have included businesses and organizations throughout the United States and many foreign countries. Larger clients have included The Governor Hotel, the Seattle Seahawks, the State of Oregon, the Portland Trail Blazers, several universities and many others.

Jeff Fisher has received over 600 regional, national and international graphic design awards for his logo and corporate identity efforts. His work has been featured in HOW, Print, Graphic Design:usa and several international design publications. Over 130 books on the design of logos, the business of graphic design, and small business marketing have presented his efforts as industry examples.

Fisher is the author of Identity Crisis!: 50 Redesigns That Transformed Stale Identities Into Successful Brands, released in October 2007, which he writes about on the Identity Crisis!" blog. His first book, The Savvy Designer’s Guide to Success: Ideas and tactics for a killer career was released in December 2004 by HOW Books. He is currently writing Logo Type: 200 Best Typographic Logos from Around the World Explained, about typography in identity design. It is scheduled for a 2011 release.

Articles written by the designer have appeared in HOW Magazine, Designer - the publication of the University & College Designer Association, Bulletin - the magazine of the American Society of Media Photographers, Legal Management News: The Journal of the Association of Legal Administrators and others. Pieces by Fisher have also been posted on CreativeLatitude.com, Graphics.com, CreativePublic.com, the Web presence of the Society of Graphic Designers of Canada, and elsewhere. Features about Jeff Fisher and his business have appeared in industry publications, newspapers, major business magazines and webzines around the world. Fisher also writes on a regular basis for his design-oriented blog, bLog-oMotives.

Fisher often speaks about his experiences in design, and the marketing of small business, to audiences such the annual HOW Design Conference, Chamber of Commerce groups, Small Business Development Center educators, related industry professional organizations, high school students and college design students. Many podcasts and interviews featuring Jeff Fisher are posted online.

Fisher serves on the HOW Magazine Board of Advisors, HOW Design Conference Advisory Council and Art Institute of Portland Professional Advisory Council, and is a past member of the UCDA Designer Magazine Editorial Advisory Board. Graphic Design USA magazine named Jeff Fisher one of the design industry “People to Watch” in 2009.

© 2010 Jeff Fisher LogoMotives