This year HOW Magazine sponsored the first HOW Logo Design Awards competition. I was honored to be asked to judge the magazine's first event of this kind.
Over 800 student and professional identity designs were submitted to the competition. It would be my responsibility to choose ten logos to be honored. Thankfully, the Editors and staff of HOW Magazine initially reviewed and selected about 350 logos for me to judge personally. The winning designs have been announced and posted on the HOW website.
Here's a bit of a recap, with my brief comments:
• Hayneedle (Design by: Lippincott - USA) - "Simplicity at its best—in type treatment and graphic elements."
• Thomas & Gray (Design by: 22squared - USA) - "Hitting the mark in creating a logo meant to convey 'distinction, tradition and timeless elegance.'”
• Dirty Ice Cream (Design by: Dirty Ice Cream Design - Phillipines) - "A beautifully executed, retro type treatment that beckons the viewer deeper into the design."
• Willoughby (Design by: Willoughby Design - USA) - "A major player in identity design shows how it's done—all while taking a chance on a non-traditional logo treatment to represent itself."
• New Sheridan Hotel (Design by: Urban Influence - USA) - "The history, culture and Western sophistication of Telluride, CO, are communicated in a crisp, modern presentation."
• Airplot (Design by: Airside - UK) - "This is a unique and intriguing, modular logo that allows for multiple uses and adaptations as needed."
• Lan Su Chinese Garden (Design by: Sockeye Creative - USA) - "This is an eye-catching, designerly twist on traditional Chinese imagery."
• Bronx Zoo Student Project (Design by: Carrie Madigan - USA) - "Inviting child-like imagery is in this logo, but there’s much more to be seen when taking a second look."
• Michael Bach Gastroenterologists (Design by: Josef Stapel Design - Germany) - "Never has the human digestive system been portrayed so elegantly—very clever letterform play."
• Renaud Merle (Blackbird) (Design by: Renaud Merle - France) - "A graphic smile delivered through two “r” letterforms creating a subliminal “m” with the extra treat of a fun blackbird image."
In addition, I wrote: "Over all, I was very pleased with the originality, execution and attention to detail exhibited in the hundreds of logos reviewed. Many designers submitted excellent showcase pieces that successfully conveyed their illustration talents, design skills and type treatment expertise.
"If I have any general criticisms, they are that a number identity designers need to break away from following current trends to create logos that may have greater longevity as an identifying symbol. And as entrants were given the opportunity, a short description or explanation of the logo submissions would have been very helpful as a judging tool for quite a few examples.
"Three of the final logos selected caught my eye on my very first review of all of the submissions. Narrowing the entries down to 100 logos was difficult; to 50 a real challenge; and to 20 was nearly impossible. I feel the 10 final logos selected represent the best of the best. After making my final selections, I was pleased to learn that five countries, large and small firms, and a student designer were represented.”
© 2010 Jeff Fisher LogoMotives
