Showing posts with label The Sentinel. Show all posts
Showing posts with label The Sentinel. Show all posts

St. Johns banners finally see the light of day

I've always enjoyed creating designs for businesses, nonprofit organizations and events in my own North Portland neighborhood. Back in early 2002 I designed a series of banners for the volunteer organization Destination St. Johns. The banners were to be displayed on utility poles in the business district of St. Johns, less than a five minute drive from my home studio.

And then nothing happened with the designs and the banners never appeared in public.

In an October 2009 article in the late, great neighborhood newspaper The Sentinel (a past identity design client of mine), Meg Farra, one of the founders of Destination St. Johns, explained, “It was a group we put together to do some projects within St. Johns. For example, we planted native plants in the tree wells through downtown and organized some cleanups before the parade for a few years."

As reported in The Sentinel, "The group decided to create banners for downtown and applied for a grant from the North Portland Trust Fund [the Portland International Raceway noise mitigation funded.] They received $4000 along with support and in-kind donations from many businesses and other groups in St. Johns and North Portland."

I didn't realize that the banners had ever been produced - but instead of adding high-flying color over downtown St. Johns, the banners and all hardware were stored in the basement of the historic Kenton Firehouse.

According to The Sentinel: "...the set of 20 or so vinyl banners were never hung due to political squabbling and the high cost of insurance."

"When the banners were ready to hang, bureaucratic difficulties and a policy change at Portland General Electric entered the game. Partway through negotiations about the banners, PGE changed its insurance requirements. Instead of $1 million, groups now had to carry $2 million in insurance before PGE would allow them to use its poles. PGE also asked Destination St. Johns to coordinate with the St. Johns Boosters, who had a long-standing arrangement with PGE to use certain light poles at Christmastime. A rift developed between some of the leaders involved and for over a year the groups were unable to negotiate a compromise.

"At that point, according to Tom Griffin-Valade of the Office of Neighborhood Involvement, the banners were rolled up and stored in the basement of the Office of Neighborhood Involvement at the Kenton Firehouse. Seven years passed."

The mystery of the missing banners had always intrigued Sentinel publisher Cornelius Swart. With a little detective work, he learned that the banners were in the Kenton Firehouse all along. Swart presented the banners to members of the St. Johns Neighborhood Association in May 2009. At the time of the October 2009 Sentinel article, efforts to hang the banners were being driven by members of the St. Johns Boosters and the St Johns Main Street Coalition, which have representatives from both neighborhood associations, businesses, and individual residents.

I'm not sure what transpired over the past year in regards to insurance issues and neighborhood politics. However, My partner Ed and I recently decided to make a Saturday morning visit to the St. Johns Farmer's Market - and were very surprised to see the banners lining the streets and the farmer's market venue, St. Johns Plaza.

On a recent sunny afternoon, I went to St. Johns to photograph the banners in place (above). I popped into St. Johns Booksellers, the location of my 2007 book signing for Identity Crisis!, to say "hi" to co-owner Nena Rawdah and explain why I was wandering the business district with my camera. She told me that upon learning that the banners were actually going to be installed, she requested a red and yellow one for installation in front of her store (above center).

"I didn't know who was responsible for the design of the banners," added Nena, "but, I'm certainly not surprised."

© 2010 Jeff Fisher LogoMotives.

Identity Re-Design: The Sentinel

Recently the result of my latest identity redesign project arrived in the mail - the July issue of my local neighborhood monthly newspaper, The Sentinel.

A few weeks ago "scrappy" (Note: admittedly an inside joke reference) Managing Editor and Publisher Cornelius Swart contacted me in regards to possibly redesigning the paper's identity and assisting in the establishment of a color palette for the news vehicle. Swart, who I originally met several years ago when he was working with the Portsmouth Community Development Corporation - another local identity re-design client, was familiar with my wide variety of past North Portland logo design clients. In addition, over the past 30 years I have designed identities for several publications.

The Sentinel was going through a total redesign, including a change in page size as a cost-saving measure and to allow for greater unfolded newspaper rack placement in local businesses. Art Director Colleen Froehlich was creating the still evolving page format. St. Johns web designer Andy Nelson was - and is - working on the yet to be unveiled new web presence for the paper.

In meeting with all the players, in person and via email, I got a good sense of the direction in which they hoped the public persona of the publication would go. There was a desire to have "the look" be unique, fresher and bolder, while maintaining some elements of the common appearance of a newspaper or tabloid publication. The current image seemed to be fairly traditional to me (above top).

Initially I presented type treatments of The Sentinel, with an image of an eye replacing the dot over the letterform "i" and revamped sun rays as a background, making use of the fonts Unicorn, Boca Raton Solid, Blue Blate Special and Rockwell Extra Bold. I also toyed with adding some emphasis to the "n" and "ne" letters in "Sentinel," as references to "north" and "northeast" Portland, with overly complicated results. I maintained the placement of "THE" as a element of continuity, and historical perspective, to the existing identity.

Swart and his staff narrowed the type selection to the Boca Raton and Rockwell treatments. They liked the "sexiness" of Boca Raton, but thought it might be a little too "magazine-like." Those providing input felt that Rockwell conveyed the "seriousness" needed for a newspaper, but the uppercase "S" letterform was too heavy, "clunky" and distracting. I was asked to finesse - or change - the "S" in the Rockwell treatment, to tweak the eye imagery, and play with "i" letterform a bit to make it possibly more lighthouse or "sentinel-like."

In literally going back to the drawing table, I worked on the "S" element for quite some time. I kept returning to the fact that everyone involved liked the "S" letterform from the Boca Raton font a great deal. In what was a bit of an "a-ha" moment I simply took the "S" from Boca Raton and dropped it in front of the Rockwell treatment of the remaining letters in the word "Sentinel." It seemed to work beautifully - and the newspaper crew agreed.

With some emails back and forth, in tweaking the eye element in my logo concept, the final new identity was approved (above bottom). The rays of light coming from the eye imagery seemed to become less and less important as the project progressed and eventually disappeared.

One of the things I really appreciated about working with the individuals involved in this project is that they really knew their "stuff." The design process for The Sentinel was much more of an actual collaboration than efforts with most of my clientele.

In our first meeting, Swart arrived with his copy of the Jim Krause book Color Index. Numerous Post-It notes marked color combinations he liked and was considering as possible palettes for future use in the newspaper. Once the logo design was finalized in black and white, Swart, art director Froehlich and I met to discuss the pros and cons of the various color options. From our discussion the suggested colors to be used were determined (above). While a blue and orange-ish color combination had been used previously, the new selections were richer and more intense. If used, the added suggested color options of the green and purple will give the paper an even greater visual richness.

It was great to receive the newly formatted paper (old design above left; new design above right) in the mail just days after completing the identity design. I appreciate Swart's column, and blog, mention that, "Thanks to local logo guru Jeff Fisher, The Sentinel has a spiffy new brand identity and logo."

(Note: My book, Identity Crisis!: 50 Redesigns That Transformed Stale Identities Into Successful Brands, contains case studies from 35 designers and firms located around the world. Learn more about the book on the Identity Crisis! blog.)

© 2008 Jeff Fisher LogoMotives